MAYFLOWER 400

Plymouth, MA- Inky Hands Print Studio and Gallery of Plymouth, MA presents Mayflower 400, a project recognizing the 400th anniversary of the Mayflower crossing.Developed in conjunction with Red Hot Press in Southampton, UK, Mayflower 400 brings together artists from Plymouth and artists from Southampton for an international, cross-cultural exhibition of contemporary printmaking.

In 2020, the exhibition of Mayflower 400 will be on display in both Plymouth, MA and Southampton, UK, coinciding with events in both locations. The collection of prints will be on display at Inky Hands Gallery in September, alongside works by Southampton’s Red Hot Press’ artists prints, following display at God’s House Tower in Southampton over the summer. This collaborative exhibition will provide visual interpretations of the Mayflower’s journey by about 35 artists in print.

Master Printer Kat LiBretto selected 15 local artists to participate in the Mayflower 400 project. Responding to the significant event, their artwork has been inspired by the themes of Journey, Spiritual Freedom, Arrival, and The Sea. These artists work in diverse genres including painting, photography, graphic design, poetry, illustration and printmaking. The resulting prints showcase a variety of technical skills as well as the versatility of the screen printing process, examining the journey, settlement and cultural impact of the Mayflower crossing in contemporary art.

Inky Hands is a contemporary print studio, publisher and gallery dedicated fully to silk screen as a fine art process. Inky Hands aims to promote a greater understanding and appreciation for printmaking as a creative process and encourages artists to explore their artwork through the use of silk screen printing. The studio provides a collaborative approach to producing limited edition prints with emerging and established artists, as well as offers the community a place to learn through workshops. Inky Hands was founded in Dallas in 2014 and relocated to Plymouth in 2018.

For more information please visit: www.inkyhandsprintstudio.com

ADAM CARRIULO

Adam's interest in architecture began to crystalize and he began to notice the threads which connected the great architects to the greater cultural landscape of their day.  He began considering ways to present their great buildings in a fresh way that people would respond to.

JESSIE FRIES

Jessie Fries is a self-taught artist,  drawn to nature and simple rural, everyday surroundings.  Her subject matter is often flowers, birds, sunsets, starry filled moonlit skies or the sea.  She is attracted to these things because it expresses the wonder she feels in very existence. 

In her paintings and drawings she blends bold colorful acrylics and mixed media to create texture and  form as well as using warm earthly hues to create an inviting palette.  Her philosophy is that art provides her with an aesthetic appreciation for the world, hoping to capture a bit of beauty and tell a story in her work.

ALISA PARKER

This commemorative piece was created to illustrate the 400th anniversary of the Mayflower’s voyage across the Atlantic to found Plymouth Colony.

The focus is on the iconic emblem, the “Mayflower”, located on the ships stern.  The flower with its crisp, pure white, simple petals was considered to be a symbol of spring and the month of May in England.  I see it as a personification of the Pilgrims.  Puritans, on a journey of hope and commitment to their pursuit of religious freedom.

Taking a mixed media approach to storytelling, I weave torn, collaged bits from the Mayflower Compact, maps of Plymouth Bay, and vintage wallpaper.  These elements create the vessel where the graphic image of the Mayflower is placed upon.  Using acrylic inks, paints and charcoal the ships stern is depicted to take on an antiqued, old world feel and emote the struggle and perseverance of the Pilgrim.  We are grateful for our forefathers.

EDDY MURRAY

Eddy was born into a family of jewelers that traces back to his Italian roots and was mentored by his grandfather, Vincent Coletta, who became the namesake of his studio, Coletta Craft. As a child, Eddy would watch him work at his own shop and was guided to learn the craft of handmade model making.  Over the past 30 years he has worked for two of Rhode Island's top jewelry manufacturers, creating his own exceptional lines of jewelry.  He carves 3D sculptures, etchings, wall art and builds all of his pieces out of lead-free pewter and his work is inspired by the splendor and strength of nature.

BRUCE SKINNER

A versatile and creative photographer accomplished in location and studio photography, he began his journey behind the camera in 1984.  His work has been featured in numerous magazines, United Nations reports, album covers, news media, calendars, mixed media, charitable fundraisers and more.

Personal and relaxed, he is able to set his portrait clients at ease and bring out their best through humor and creativity.

By finding unique perspectives, he has received many accolades and awards for his landscape, environment and architectural photography.

CHRISTINA SKINNER

It is an honor to take part in such an exciting project as the Mayflower 400.  

My piece, entitled 102 and Crew, describes the vision I have of the perilous journey the Mayflower’s passengers took on faith that they could start anew.  

In doing so, I gave life and a voice to the vessel which delivered them to their new home.  

If the Mayflower hadn’t resisted the battering of the cold seas, all onboard would have perished.  My poem, therefore, pays homage to the Mayflower and to the strength of the men who hand-crafted it, as well as to her precious crew.

LINDSEY WORSTELL

This piece is a reverse poem meant to capture the juxtaposing positions of the Native Americans and Pilgrims on the cusp of their winter interaction in 1620 when the Mayflower sailed into  Cape Cod Bay.  I wanted to highlight the power of faith and hope, as well as mystery and uncertainty that I only imagine all participants in this fated interaction must have been feeling.  At the same time, I wanted to convey how the feelings surrounding that interaction were similar despite such a difference in culture and historical experience.

JULIE PRITCHARD

Julie Ricker Pritchard comes to print making from a graphic design career. After more than 30 years creating design solutions for myriad industries, and since 2018 as a jigsaw puzzle designer, she brings a wealth of creative experience to this new venture. Scallop represents her first foray into the fine art process of silk screen printing. Julie’s work is colorful and strikingly simple; her interpretation of shells found along local beaches is both literal and expressive, emphasizing the dimension and unique details that reveal each shell’s remarkable journey.

CALLA FOGARTY

Calla Fogarty focuses on the interaction of the natural and geometric. Each image is a collage of overgrowth, clusters, texture, and layers. She wants to encouraged the viewer to examine the work and find the gems among the chaos, for what is nature if not moments of beauty among the mess. Her work has been and continues to be influenced by her natural surroundings, things she is familiar with but seen from a new perspective. She likes to take common items and manipulate them into something slightly abstracted but familiar and relatable. 

ALEX LEAVER

Alexandra Leaver lives in Plymouth, MA and shows her work at Inky Hands as well as in local community art centers and alternative spaces.  She has an MFA in Visual Set from the Art Institute of Boston (now Lesley University College of Art and Design) and occasionally takes courses in arts and crafts because being a beginner is always the best place to be; we can forgive ourselves anything.

MARGARET BAILEY ROSENBAUM

“Rhodies” are humble bushes native to North America and widespread in the world.  They are found in almost every yard or garden in the New England region, and grow nearly as tall as trees in our wood.  The flowers vary in color and shape, but this one is typical for garden variety “rhodie”.  In fact, it grew in my Manomet garden and became a subject for one of my daily paintings last Spring.  When the local flowers bloom, they are the most beloved subjects for my small acrylic works.  The rhododendron flower seemed perfect for this project; being simply beautiful, indigenous to our area, yet also shared throughout much of our planet.

RUSSELL MARSHALL

Russell Marshall is an award winning newspaper designer and journalist turned artist living and working in London.  His work reflects 25 years in the tabloid industry.  Use of color, production techniques and choice of image stem from the golden days of the red top press...when stars were really stars, when news was really news and when the best pictures and the best stories made the best front pages.  Iconic images that deserve to be seen again, bold CMYK colors that leap off the pages plus the odd cheeky one liner to make you smile.

HEATHER CASHMAN LONG

I have lived near the water most of my life and feel a calling to it.  I thought for this project I wanted to do something connected to sea and the Wampanoags who lived there before the Pilgrims landed in Plymouth.

The Quahog was vital to the Wampanoags.  It gave them food but it also gave them tools.  The Wampanoags used Quahog shells to scrape leather, squash gourds, hold water and manipulate animal horns and bones into tools.  Wampum, which is the Native American term for the purple or white cylindrical beads made from the shell of the Quahog.  The purple and white striations and patterns on the inside of the shell are created by minerals in the mud where the Quahogs are dug.  The purple beads were only found in the New England area.  Wampanoag Quahog beads were famous through Native American countries and were used as items of trade and for ceremonial gifts to other tribal leaders.  The Wampanoags used these beads to decorate their clothing and headdresses.

JIM CURRAN

Jim Curran is a seasoned graphic designer, illustrator and photographer from Plymouth, MA.​

He studied commercial art and illustration at Butera School of Art in Boston, as well as continuing studies at New England School of Art & Design, and the School of the Museum of Fine Arts in Boston.

Jim's creative career includes several years as newspaper designer, creative advertising designer and commercial photography and retouching.

CHRIS GERRIOR

Chris' series of nautical flags pays homage to his twenty-four years of naval service.  An avid artist in his youth, he enlisted in the Navy as a Photographer's Mate, where he honed his photography and computer graphics skills over the next two decades. Upon retirement he returned to his hometown of Rochester, MA and saw a space in the medium of screen printing to continue creating visual art. 

SHELLY PHILLIPS

KAT LIBRETTO

Kat’s work is fueled by inspiration in natural landscape and how humans experience them. This theme became prominent in her work when she noticed the impact corporations were having on her surrounding environment and their rapid overdevelopment of the spacious land neighboring her.   The compositions reflect recognizable landmarks, offering narratives and asking the viewer to connect with them.  An identity of place is a key theme in her work, and her work reflects a relationship between self, place and time, inviting the viewer to seek out the sublime, solitude, grandeur and adventure in the most natural places.